SpADE in publications
Torre, G. O'Leary, M. Tuohy, B. 2010. "Pollen: A Multimedia Interactive Network Installation." Proceedings of the 2010 Conference on New Interfaces for Musical Expression (NIME 2010): 375-376.
Ronan, M. Pigott, D. Sazdov, R. "Configuring SpADE: practical considerations influencing the design of a three-dimensional multi-channel listening environment." Irish Sound, Science and Technology Convocation (2012): 1-2.
Lynch, H. Sazdov, R. 2013. "An investigation into the perception of spatial techniques used in multi-channel electroacoustic music." Proceedings of the 2013 ICMC Conference: 116-123.
James, S. Hope, C. 2013. "2D and 3D Timbral Spatialisation: spatial motion, immersiveness, and notions of space." Proceedings of the 2013 ICMC Conference: 77-84.
Pigott, D. Walker, J. 2014. "A preliminary model for the synthesis of source spaciousness." 17th International Conference on Digital Audio Effects (DAFx-14).
Doyle, T. 2015. Spectral precedence methodologies in spatial auditory research: perceptual evaluation of spatial attributes in 2D and 3D virtual auditory display environments. PhD dissertation, University of Limerick.
Ronan, M. Ward, N. Sazdov, R. 2015. "Identifying and validating program material: a hyper-compression perspective." AES 139 Convention, New York.
Bradbury, J. 2016. Computer Creativity: An Evaluation of Three Interactive Musical Systems in Terms of Their Interaction and Behaviour. Master of Music disseration, The University of Western Australia.
Downes, T. Ronan, M. 2016. "Immersive Production Techniques in Cinematic Sound Design: Context and Spatialization." Audio Engineering Society Convention 140.
Ronan, M. Ward, N. Sazdov, R. 2016. "The perception of hyper-compression by untrained listeners." AES 60 Conference, Leuven.
Sheridan, J. Ronan, M. 2016. "The Effect of Analogue Radio Processing on Listener Preference." Irish Sound, Science and Technology Convocation 2016.
Culloo, E. Ronan, M. 2017. "Do Microphone Angles result in Audible Differences When Recording a Guitar Amplifier?" Audio Engineering Society Convention 142.
Hagan, K. 2017. "Textural Composition: Aesthetics, Techniques, and Spatialization for High-Density Loudspeaker Arrays." Computer Music Journal 41(1): 34-45.
Haigh, J. Ronan, M. 2017. "The DFA Fader: Exploring the Power of Suggestion in Loudness Judgments." Audio Engineering Society Convention 142.
Lynch, H. Sazdov, R. 2017. "A Perceptual Investigation into Spatialization Techniques Used in Multichannel Electroacoustic Music for Envelopment and Engulfment." Computer Music Journal 41(1): 13-33.
Haigh, J. Exton, C. Ronan, M. 2018. "Can Visual Priming Affect the Perceived Sound Quality of a Voice Signal in Voice Over Internet Protocol (VoIP) Applications?" Audio Engineering Society Convention 144.